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在克莉丝汀·加仑的引人入胜的最新诗集《刺穿》一书中,她用50首非常精美的短诗,突出地展示出了她的令人兴奋的发现,而这些发现,来自四处可见的寻常事物。她对日常事件和日常事物的诗性感应,富有想象力,出乎人的意料,也不知怎么地那样准确。这使人想起了最近出版的几部诗选,例如塔特·瑞泰恩的《白驴之城》、玛丽·茹芙的《下午》。然而,与塔特·瑞泰恩和玛丽·茹芙不同,克莉丝汀·加仑的诗作,常常凭借片段性的轻描淡写,凭借对我们都能看见的平常事物的冷静刻画,揭示了许多暗中充满活力的真实。在她的诗集《在黑脉金斑蝶之中》(芝加哥大学出版社,2000年)的诗作《童年》里,她用身边的事物来探测一对母女之间在一个特殊时刻发生的事情:
In Christine Gallon’s fascinating and recent collection of poems, “Piercing,” she highlights some of her exciting discoveries with 50 very beautiful short poems that come from everywhere Unusual things. Her poetical sense of everyday events and everyday things is imaginative, unexpected, and somewhat unbelievably accurate. This is reminiscent of several recently published anthologies, such as Tate Ruiten’s “City of White Donkeys,” and Mary Ruff’s “Afternoon.” Unlike Tate Rheingne and Mary Ruva, however, Christine Gallon’s poems, often by way of fragmentary understatement, reveal, with cool descriptions of the ordinary things we can all see, Vibrant real. In her poem “Childhood”, a poem “Among Monarch Butterflies” (University of Chicago Press, 2000), she uses her side to detect what happens between a mother and daughter at a particular moment :