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中国传统壁画是中国绘画史中一抹耀眼的色彩。原始时期的人们在生存之上,产生了对于美的要求,除了身体、劳动工具的装饰之外,对于生存环境也开始装饰,所以产生了岩画、壁画等。明清时期出现沿用唐宋绘画风格严谨精丽的壁画,北京法海寺壁画就是现存最精美、完整的壁画。本文以北京法海寺为研究对象,细究法海寺壁画中汉化后的佛教女性形象艺术特色,将壁画中的“水月观音”作为主要对象,从“水月观音”的外在形象和绘制技巧来阐明其艺术特色,得出严谨精丽、自在安详的艺术特色。
Chinese traditional murals are a dazzling color in the history of Chinese painting. People in the primitive period had their own requirements for the beauty. In addition to the body and the decoration of the working tools, they began to decorate the living environment, so they produced rock paintings and mural paintings. Ming and Qing Dynasties appear to follow the Tang and Song dynasty painting style rigorous and beautiful murals, Beijing Fahai Temple murals is the most extant exquisite, complete murals. This paper takes the Fahai Temple in Beijing as the research object and studies the artistic features of the Buddhist women in the Haifa Temple frescoes in China. The main object of this book is the “Moon Goddess of Mercy” in the murals. In the image and drawing skills to clarify its artistic features, come to strict rigorous, comfortable and quiet artistic features.