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近读基弗作品,深为德国人反省二战灾难的忏悔精神所感动。对比中国当代艺术对于历史的集体失忆,不由得令人唱叹。上世纪80年代初,正是一批青年艺术家出于对“文革”历史灾难的反省,创作了反思——乡土艺术,其真切的人文关怀感动了整个社会和一个时代。从那以后,艺术家出于对现实主义官方化的反感,走向形式主义或表现主义,着眼于艺术史变革而离距现实生活。在经历了‘85美术思潮和‘89政治风波之后,中
Reading Kiefer’s recent work was deeply touched by the confession of the Germans who were aware of the catastrophe of World War II. Contrasting the collective memory of Chinese contemporary art for history, can not help but sigh. In the early 1980s, it was precisely a group of young artists who, after a reflection of the historical catastrophe of the “Cultural Revolution,” created introspection - local art, whose true humanistic concern touched the entire society and an era. Since then, out of the objection to the officialization of realism, the artist has been moving toward formalism or expressionism and has been focusing on the change of the history of art for a longer time than it has been before. After experiencing the ’85 Art Trend and the political turmoil of ’89,