初识米芾的书迹,竟然不是《蜀素》、《苕溪》这样的脍炙人口的纸本名帖,而是他写的鲍照鲍参军的《舞鹤赋》。桃李奕奕的年纪,不知怎的竟然开始这如此沉重痛快的法书。轻狂的年纪,倒是平添了几分沉重,或许也有几分悲怆的底色。当年我临写的是刻在石上的书迹,不是纸本的墨迹,也许作为米芾法书有些疑问,可又有什么关系呢?一件作品给人的感受,是难以言说的,成年之后回乡找到原来的范 First met Mi Mi’s handwriting, turned out to be not “Shu Su”, “Sui River” such a popular paper title, but he wrote Bao Zhao Bao Jun “dance crane Fu.” Tao Li Li Yi’s age, somehow even started so heavy and enjoyable book. Frivolous age, it touches added a bit heavier, and perhaps also somewhat sad background. What I wrote in that year was the inscribed book inscribed on stone, not the ink of paper, perhaps as some questions about the book of Mirroredar, what is the relationship between them? The feeling of a piece of work is unspeakable. When I was an adult Home to find the original Fan