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在“西学东渐”的潮流中,有西学背景的文化学者,以全新的视角和观念审视书法,借鉴和运用西方哲学、美学、心理学的方法探讨书法问题,对书法进行了全新的、现代性的阐释。人们反思书法在世界艺术中的地位,并深入思考书法的性质;以形式、线条、空间、造型为代表的新术语的引入,打破了传统认识书法的局限,将书法从封闭、含蓄的历史情景中引入世界艺术体系中予以考察,使得古老的书法可以像其他视觉艺术一样被认识和感知。
In the trend of “learning from west to east”, cultural scholars with western backgrounds examine the calligraphy from a brand new perspective and concept, use the methods of western philosophy, aesthetics and psychology to explore the problem of calligraphy and make a brand new calligraphy Modern interpretation. People reflect on the status of calligraphy in the world art, and think deeply about the nature of calligraphy. The introduction of new terms represented by form, line, space and shape breaks the traditional limitation of calligraphy, from the closed and subtle historical scene In the introduction of the world art system to be examined so that the ancient calligraphy can be recognized and perceived as other visual arts.