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水上木偶戏是越南田野艺术之魂,然在中国—东盟语境下,学术界对此的研究还远远不够。从发生学、发展学和文学艺术活动论来看,生态机制及其相关属性建构了越南水上木偶戏的外部创生语境和文本内在结构。作为越南生态文化集中表征的水上木偶戏所提供的创作范式、表演模式和文本艺术风格,不仅是人类艺术的瑰宝,更能对当代艺术生产形成深入和系统的反思。
Water Puppet Show is the soul of Vietnamese field art. However, in the context of China-ASEAN, academic research on this is far from enough. From the perspective of genesis, development and literary and art activities, the ecological mechanism and its related attributes construct the external creation context and textual internal structure of Vietnamese water puppet show. The creative paradigm, performance mode and text art style provided by Vietnamese puppet show, as a symbol of Vietnamese eco-culture, is not only a treasure of human art but also provides in-depth and systematic reflection on contemporary art production.