作家在塑造戏剧、小说中的人物时往往会将个人的情感寄托到主人公的身上,通过对主人公形象的塑造,为主人公寻找归属。为塑造的人物寻求归属的实质是寓情于人,希望能够找到自己的归属。因此,本文主要以美国戏剧大师尤金.奥尼尔为例,解读奥尼尔不同发展时期对戏剧人物归属的追求形式及历程,从而揭示自己追求命运归属的实质意义。 When the writer shapes the characters in drama and fiction, he often pin his personal feelings on the protagonist. Through the shaping of the protagonist’s image, the writer looks for the protagonist’s ownership. The essence of seeking to belong to the created character is to love one another in the hope of finding one’s own attribution. Therefore, this article mainly takes the American theater master Eugene O’Neill as an example to interpret O’Neill’s pursuit form and course of the attribution of drama characters in different periods of development, revealing the essence of his pursuit of destiny belonging.