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任伯年是清末画家,作为“海派四杰”之一,他一生致力于不同题材中国画的探索和实践,并创立了雅俗共赏的艺术风格,在我国绘画史上占有重要的地位。其中《群仙祝寿图》是他早期创作的一幅工笔人物重彩画,作品由十二幅通景屏组成,规模宏大,技法精深,具有极高的艺术价值。本文从《群仙祝寿图》展开论述,从立意、构图、造型、色彩、笔法五个方面进行分析,希望能为广大美术工作者研究近代中国绘画提供参考。
As a painter in the late Qing Dynasty, Ren Bornian was one of the “four genres of Shanghai School”. He devoted his life to the exploration and practice of Chinese paintings with different themes. He created the artistic style of commonweal and tastes, occupying an important position in the history of Chinese painting. Among them, “Qunxian Zhu Shoutu” is a meticulous figure painted in his early works. His works consist of 12 Tong King Screens. The scale is huge and the technique is skillful. It has extremely high artistic value. This essay starts from “Qun Xian Zhu Shou Diao” and analyzes it from five aspects: conception, composition, shape, color and brushwork. It is hoped that it can provide references for many artists to study modern Chinese painting.