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在20世纪80年代中期,中国作家经历了“文革”的精神创伤之后,又经历了新的考验,即民族传统文化断层与西方现代文化冲击下的现代性危机,在这种背景下寻根文学应运而生。寻根作家试图立足于民族传统文化,建构一种能够连接和平衡传统文化与现代文化的写作方式,实现文学自救和突围,完成文化的寻根指向。在众多寻根小说中,1983年邓刚的《迷人的海》和1985年蔡测海的《母船》因其独特而广受好评。这两部小说风格迥异,但其精神内核都不约而同地流露出了明显的寻根性特征。
In the mid 1980s, Chinese writers experienced a new traumatic experience after the “Cultural Revolution” tragedy, that is, the crisis of modernity under the impact of traditional ethnic culture and Western modern culture, Literature came into being. Root-seeking writers try to establish a way of writing that can connect and balance the traditional culture with the modern culture based on the national traditional culture, realize literary self-rescue and breakthrough, and accomplish the root-seeking of culture. Among many roots-seeking novels, Deng Geng’s “Charming Sea” in 1983 and Cai Zhai’s “Mother Ship” in 1985 were widely acclaimed for their uniqueness. The styles of these two novels are quite different, but their spiritual kernels invariably show obvious characteristics of root-seeking.