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川江号子作为一种劳动歌谣的重要形式,作为巴蜀文化的结晶。它既是艺术又是技术,成为了巴蜀地区社会风俗的真实写照。它是人们实现人与人、人与自然和谐相处的智慧之果。由于人文地理和巴蜀人朴素审美情怀等因素造成了川江号子的形式和风格多种多样,并且具有亦庄亦谐、精粹自然的共同特点。本文就从川江号子的艺术形式、内容和审美特征这几点来具体探讨川江号子所具有本真美的巴蜀文化审美特征。
Chuanjiang son as an important form of labor songs, as the crystallization of Bashu culture. It is both art and technology, has become a true portrayal of social customs in Bashu region. It is the wisdom of people to live in harmony with man and nature. Due to the human geography and the simple aesthetic feelings of Bashu people, the forms and styles of Chuanjiang’s trumpets are diverse and have the common characteristics of being both loyal and pure and of pure nature. In this paper, we discuss the aesthetic characteristics of Bashu culture with the true beauty of Chuanyang from the points of the art form, content and aesthetic features of Chuanyang’s son.