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20世纪二三十年代,“旧体诗”的僵化和“新体诗”的不确定性,使得诗歌成了当时中国文坛新旧交锋最激烈的领域之一。《大公报.文学副刊》对传统诗歌的关注更多地放在了诗学批评上,对传统诗学进行了现代阐释;提出了“以新材料入旧格律”的主张,强调浪漫情感与古典艺术的完美融合,对诗歌音韵给予了特别的关注,认为诗韵是诗歌的本质属性。
The twenties and thirties of the 20th century saw the inflexibility of old-style poetry and the uncertainty of new-style poetry, making poetry one of the hottest areas in the Chinese literary world at that time. “Ta Gong Pao. Literature Supplement” focuses more on traditional poetry criticism of poetry, the modern interpretation of the traditional poetics; put forward the “new material into the old law” proposition, emphasizing the romantic feelings and The perfect fusion of classical art gives special attention to the poetic rhyme, which holds that poetic rhyme is the essential attribute of poetry.