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香港三联出版社出版的《路漫漫一香港独立漫画25年》,以时间为线索,走访香港老、中、青三代二十七位独立漫画人,自述创作历程和发表经验,2006年出版。大陆亦由三联在2007年引进。瑞士独立漫画杂志《Strapazin》对中国独立漫画水平给予很高的评价,但中国独立漫画家们也坦承两者的差距存在,“仅从技法而言,中国漫画并不差,但缺少了《Strapazin》的成熟与从容”。成熟是需要大量作品和摸索的,是需要不停地与编辑、漫画评论家和大众碰撞的,而从容需要良好自治的生活状态,泰然自若的人生目标,这两项的要素,大陆独立漫画家尚不具备。我宁愿说在这两项指标上,香港独立漫画人是真正的成熟。无论是近两年才冒出头、年纪轻轻就住在禾輋村寮屋,面朝大楼,春暖花开,
Hong Kong Sanlian Publishing House published “A Long Way to Hong Kong Independent Cartoons for 25 Years”. Using time as a clue, we visited 27 independent cartoonists of the three generations in Hong Kong. They read the course of creation and published their experiences and published them in 2006. Mainland is also introduced by the triple in 2007. Strapazin, the independent comic magazine in Switzerland, commented highly of the level of independent comics in China, but independent cartoonists in China also admit that there is a gap between the two. “According to the technique alone, Chinese comics are not bad but lack of” Strapazin “mature and calm ”. Mature is the need for a large number of works and groping, is constantly in need of editing, comic critics and the public collision, while calmly need a good state of self-governing life, self-fulfilling life goals, these two elements, the mainland independent cartoonist Do not have. I would rather say that on these two indicators, Hong Kong independent cartoonists are truly mature. Whether it is the past two years to emerge, young age to live in Wo Village Squatter, facing the building, spring,