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2008年9月,北京青年戏剧节(以下简称青戏节),北兵马司“安徒生”剧场。相对于其他演出场地来说,这里显得闭塞萧条。但9月27至29日这三个晚上,“安徒生”剧场却生动活跃起来,许多年轻的面孔带着几分期待走进去,散戏而出,却多了欣喜和畅叙。这届青戏节中唯一的一台京剧小剧场剧目《浮生六记》,开始悄然流播在青年戏剧爱好者中。就像徐恒进老师(《新剧本》杂志主编)
September 2008, Beijing Youth Theater Festival (hereinafter referred to as the Qing Opera Festival), North Army Masters “Andersen ” theater. Compared to other venues, it seems blocked depression. However, on the three nights of September 27 to 29, the “Hans Christian Andersen” theater was vividly active, and many young faces looked forward to the show with a few extra stages, but with much joy and refreshment. In this Youth Theater festival, the only Peking Opera theater repertoire, “Floating Life Six Notes,” began to flow quietly among young theater lovers. Like Xu Heng Jin teacher (“New Screenplay” magazine editor)