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我一直坚持这样的观点,曾来德在当下中国书画界的出现,其本身就是一个异端,只不过我们要对这里的异端有一个全然不同的理解和认识。我还说过,曾来德身上有一种哲学家的气质。如果对曾来德的认识和理解仅仅停留在他的书画作品上,那绝对是不可能到位的。不仅如此,还有可能对曾来德的书画艺术构成不必要的误解和伤害,那绝对是不客观不公正的。事实上,曾来德的异端和由此而形成的艺术独立品质,决不仅仅表现在他的书画创作上,更准确地说,曾来德的现代书画艺术创作仅仅是他深沉艺术思想的组成部分,或者说其书画艺术创作仅仅是曾来德艺术思想的实验场。
I have always insisted on the view that once Germany came to China in the current moment, the emergence of Chinese painting and calligraphy circles is itself a heresy, except that we have to have a completely different understanding and understanding of the heresy here. I also said that Zettai had a philosopher’s temperament. If the understanding and understanding of the former virtue only stay in his works of calligraphy and painting, it is absolutely impossible to place. Not only that, but also may constitute unnecessary misunderstandings and injuries to the painting and calligraphy of Zerg, which is definitely not objective and unfair. In fact, the heresy of Zettai and the resulting independent quality of art are by no means limited to his painting and calligraphy. More precisely, the creation of Zaidek’s modern painting and calligraphy is only a matter of his deep artistic thinking Some, or calligraphy and painting creation is just the experimental field of Germany’s art thought.