1938年,徐松石老先生写成的学术著作《粤江流域人民史》第27章杂论第五部分主要论述了刘三姐的出处,描述了歌仙刘三姐的原型,原型比较传统,大多说的是三姐喜欢唱歌,且传歌在两广一带,自身所具备的革命性并不强,直至解放后,歌舞剧《刘三姐》更加赋予了三姐的反封建的阶级革命性,即表述了当时国家主流的阶级话语,表征了广西壮族的文化形象,更加刻画了三姐的歌仙形象。 In 1938, Mr. Xu Songshi’s academic work “The History of the People in the Yuejiang River Valley” Chapter 27 Miscellaneous The fifth part mainly discusses the source of Third Sister Liu, describes the prototype of Third Song Liu Sanjie, the prototype is more traditional, mostly said that the Third Sister Like to sing, and the biography in Guangdong and Guangxi area, its own revolutionary is not strong, until the liberation, the song and dance drama “Third Sister Liu” gave more Third Sister’s anti-feudal class revolutionary, that is, the mainstream class Discourse, a symbol of the cultural image of Guangxi Zhuang ethnic groups, more portrayed the third sister of the song fairy image.