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有人喜欢凑趣,把作品中稍有瓜葛的组成三部曲、四重奏等名目。虽有名副其实的,但多数则是沐猴而冠。似乎若没有个三部曲之类的东西传世,你就永远别想混进大师的行列。在赛尔乔·莱翁内的“往事三部曲”中,《西部往事》和《美国往事》堪称精品,而只因也叫“往事”便归入三部曲的《革命往事》则不值一提。赛尔乔·莱翁内,意大利人,出身于电影世家,60年代开创了“意大利西部片”先河。他对美国题材的探索和创作有一种强迫症似的执着。至于他为何有如此强烈的美国情结,则像西部沙漠中的天气一样难以捉摸,他的回答是:“因为美国在世界范围内的代表性,所以美国的问题,也是全世界共同的问题,”或许在他眼里,美国的神话与恶梦一样多,在《西部往事》和《美国往事》中,他像一位站在云端的哲人,用历史的眼光分别剥离了美国历史上两个经典段落——西部开发和经济大萧条,来审视美国。由于他认为美国本身就是充满梦想和幻灭的地方,所以他在片中表现出的电影手法也充满了浪漫主义色彩。同时,涉及美国便不能不提到利益的争夺,因为这一主旨是美国自由竞争精神的核。两片均以对财富的攫取、争夺为主线,呈现出在“利益高于一场”的背景中人物的种种情态和行为。
Some people like to take a break, the composition of the composition of a little trilogy, quartets and other programs. Although veritable, but most are Mu monkey crown. It seems that if there is no such thing as a trilogy handed down, you will never want to mix into the ranks of masters. In the “Past Trilogy” of Seer Chiao Leone, the “past events in the West” and the “past events in the United States” are excellent products, but the “past events” are merely the “past events” of the trilogy Not worth mentioning. Selço Leonione, an Italian born in a movie family, pioneered the “Italian Westerns” in the 1960s. He has a persistent obsessive-compulsive disorder in the exploration and creation of American themes. As for why he has such a strong American complex, it is as elusive as the weather in the western desert. His answer is: “Because of the representation of the United States in the world, the issue of the United States is also a common problem throughout the world.” Perhaps in his eyes, the United States has as many myths as the nightmares. In the Western past and the American past, he was like a philosopher standing in the cloud, and peeled off two classic American histories Paragraphs - Western Development and Great Depression, to examine the United States. Because he thinks that the United States itself is full of dreams and disillusionations, the film technique he has shown in the film is also full of romanticism. At the same time, the United States can not fail to mention the contention of interest because it is the free and competitive nucleus of the United States. Both of them take the grab and fight of wealth as the main line, presenting the characters’ behaviors and behaviors in the background of “interest above one”.