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蒲松龄镕经铸史,奋武揆文,《聊斋》所借鉴的对象绝非史传所能囊括,但是对史传叙事的借鉴和发扬却是其成功的重要原因之一。《聊斋》的叙事结构不仅效法了史传的体例模式,而且还继承了《史记》叙事以命意为结构枢纽的传统。除了对正史的继承和效仿之外,《聊斋》对历史上数目庞大的杂史杂传的叙事艺术亦有继承。如果说纪传体和编年体对《聊斋》等小说叙事的影响主要表现在叙事体例上,那么杂史杂传的影响则更多地表现在叙事题材和虚构意识上。
Pu Songling Rong by cast history, Fen Wu Wen, “Liao Zhai” by reference to the object of history can not be included, but the reference and development of historical narrative is one of the important reasons for its success. The narrative structure of Liao Zhai not only follows the mode of historical biography, but also inherits the tradition of narrating “Shi Ji” and taking life as the structural hinge. In addition to the succession and emulation of the official history, Liao Zhai inherited the narrative art of a large number of historical miscellaneous records. If the annotation body and the chronological body on the “Liao Zhai” and other novel narrative mainly in narrative style, then the influence of miscellaneous miscellaneous biography is more manifested in narrative themes and fictional consciousness.