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2014年11月初开幕的第六届戏剧奥林匹克演出活动,持续了两个月。其间,一个个大师迎面而来:罗伯特·威尔逊、特尔佐布罗斯、铃木忠志、尤里·留比莫夫……中国的戏剧观众集中见识了来自世界22个国家、有名望有见地有争议有来头的舞台作品45部。对这次展演活动,大小媒体高调评述。“戏剧奥林匹克”确实不仅让人大开眼界,还全面冲击震荡了中国戏剧人的艺术观念。有识之士开始反思专业化演出的引进之路,指出其最终目的在于提高我们的创作力,所谓
The sixth drama Olympic performance, which opened in early November 2014, lasted two months. In the meantime, one by one master on the face of: Robert Wilson, Tel Zobulosi, Suzuki Tadashi, Yuri Libimov ... ... China’s theater audience focused on knowledge of 22 countries from around the world, prestigious insightful and controversial Comeback 45 stage works. The show, the size of the media high profile comments. “Drama Olympics” really not only gives an eye-opener, but also completely shocks the artistic concepts of Chinese dramatis personae. People of insight began to reflect on the introduction of specialized performances, pointing out that their ultimate goal is to improve our creative power. The so-called