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清代词体文学的创作,以及与之密切相关的词学研究,其最为重要的一个现象,就是在词的破体、辨体基础之上,渐次形成词学尊体运动。关于词学尊体问题的相关研究,学界已有不少相关成果①。但是,何谓词体?何谓诗体?何谓体?词体到了清代,缘何需要尊?词体是从何时开始其尊体运动?词体是怎样实现其尊?这些,无疑都是笔者尚未开始研究和写作之前,就已经魂牵梦绕的疑问。如前所述,笔者的
The most important phenomenon in the creation of the Qing Dynasty’s literary genres and its related researches on Ci poetry is the gradual formation of the study of Ci-poetry and respect on the basis of the word-breaking and discrimination. On the study of the word study respect, the academic community has a lot of related results ①. However, what is a phonetic form? What is a poetic body? What is a body? Why did the inscriptions come into the Qing Dynasty? When did the lexicon begin its revelation movement? How did the lexicon achieve its respect? Before the start of research and writing, it has been cherished doubt. As mentioned earlier, the author’s