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小型黄杨盆景《祥龙欢舞》(以下简称《舞》)的制作过程及技法,曾在本刊2001年第12期30页上作过简介。其实该作品10余年的创作实践,令我感悟最深的并非制作过程中对干和侧枝的绑扎吊弯,对枝片粗扎细剪的技法处理,而是在创作实践中,如何把握和运用好盆景艺术的相关创作原理,借以提高创作水平,避免出现大的败笔和缺憾。《舞》并非完美之作,但在把握和运用盆景创作原理方面却得益匪浅。具体体现在造动势与动态三方面。
The production process and technique of the small boxwood “Xianglong Huanwu” (hereinafter referred to as “Dance”) has been briefly introduced in the 30th issue of the journal No.12 in 2001. In fact, the works of more than 10 years of creative practice, so that my deepest insight is not the production process of the stem and the branches of the lashing, the fine branches of thin bar scissors techniques, but in the creative practice, how to grasp and use Bonsai art related to the creation of principles, in order to improve the level of creation, to avoid major flaws and shortcomings. “Dance” is not perfect, but it has benefited greatly from grasping and applying the principle of bonsai creation. Specifically reflected in the movement and dynamic three aspects.