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山西话剧院演出的《立秋》反映着晋商的衰落,在主人公马洪翰对自己灵魂的拷问中渗透着对中国传统文化的反思。其多角度地反映社会与历史,反映当时晋商的家庭,大可放射到中国与整个世界的空间,小可聚焦于山西丰德票号的后院;短可见20世纪初某年立秋的一天,长可放眼于整个中国的商业票号历史和民族商业发展的现在。空间的延展性与时间上的跨越性,使得这部剧的文化意义更为直接而深远。
“Liqiu”, a performance performed by Shanxi Theater, reflects the decline of Shanxi merchants and permeates the introspection of Chinese traditional culture in the torture of Ma Honghan’s heroine. It reflects the society and history from many angles, reflects the family of Shanxi merchants at that time, can radiate to the space of China and the whole world, and focuses on the back yard of Shanxi Fengdegao. In the short day of the beginning of the 20th century, Long can look at the entire history of Chinese commercial banknotes and the current development of national business. The scalability of space and the leapfrogging of time make the cultural significance of this drama more direct and profound.