论文部分内容阅读
油画可以按情感与审美的需要而对对象进行主观的强调、变形,甚至重组,而照片在这个方面却被镜头与视角约束着。因此,油画可以达到一种照相术达不到的审美真实。这种审美真实只忠诚于画家的主体感受和欣赏者对作品的体验,而不忠诚于视觉的真实感。章祯玮的油画《篮球达人严》就体现出了油画的这种审美特性。画家可以遵循具象写实油画的基本原则,但更多的是利用这些原则去表达自己的感受与情绪。画面对空间深度的强调和画面前后两个透点的组合,使得画面诡异地传达
Oil painting can subjectively emphasize, distort, and even reorganize objects according to the needs of emotions and aesthetics, and the photos are constrained by the lens and perspective in this respect. Therefore, oil painting can reach an aesthetic reality that can not be attained by photography. This kind of aesthetic truth is only loyal to the experience of the main body of the painter and the viewer’s experience of the work, not to the true sense of the visual. Zhang Zhenwei’s painting “basketball up to Yan Yan” reflects the aesthetic characteristics of oil painting. Painters can follow the basic principles of concrete realistic painting, but more to use these principles to express their feelings and emotions. The emphasis of the picture on the depth of the space and the combination of the two front and rear passives make the picture weirdly convey