作为一个本土摄影师,罗明义不主张用介入他地的国外摄影师所用的概念、符号化的东西来阐述时代。“摄影是历史的见证,本身就有丰富的面貌和细节,以后的人看着、读着,才会觉得生动、有滋味。”只是因为想为自己、也为城市留下一点真实的东西,他静静地将拍摄的照片放置了十余年甚至几十年。“不能把自己看得太重。摄影是一个沉下自己的方式,让我在有生之年能坚持去留下一个城市、一个地方、一段历史的真实。” As a native photographer, Luo Mingyi does not advocate using the concept of foreign photographers involved in his work, the symbol of things to elaborate on the times. “Photography is a historical testimony, itself rich in appearance and detail, the future of people looking, reading, will feel vivid, taste.” Just because I wanted for myself, but also for the city to leave a little real Things, he quietly placed photographs taken more than ten years or even decades. “Can not look too seriously on myself.Photographing is a way to sink my own, so that I can persist in my lifetime to leave a city, a place, a history of truth.”