从《情意很轻,身体很重》之后,鱼禾几乎中断了小说的写作,全身心地投入到随笔和散文的写作之中。先是着手展开对西方现代五位杰出女性作家的心路历程的考察,她们分别是现代性之路上的不同路标,于是有了《非常在》的结集出版。之后则是长散文的系列探索,《父老》《驾驶的隐喻》《孤立》《队列》等作品相继在《人民文学》《十月》《青年文学》《天涯》等刊物上与读者见面。这些作品在保留了表达上的现代性标记之外,在经验的洞开、叙事的深入方面,进入 From “feeling very light, heavy body”, Wo Wo almost interrupted the writing of the novel, devoted himself to the essay writing. First proceed with the investigation of the mentality of five modern Western women writers who are different road signs on the road of modernity, so there is a “very” in the collection and publication. After that, the essay explores a series of essays. The works such as “Father”, “Driving Metaphor”, “Isolation” and “Queue” have all met readers in “People’s Literature”, “October”, “Youth Literature” and “Tianya”. In addition to preserving the expressive mark of modernity, these works enter into the opening of experience and the deepening of narration