在毛主席的革命文艺思想指引下,无产阶级文化大革命以来,套色木刻创作涌现出许多优秀的作品。群众性的版画创作,在继承我国版画艺术优秀的遗产,借鉴外国版画艺术中有用的东西的基础上,许多前所未有的表现技法在不断涌现,积累了许多宝贵的经验,有待不断地研究和总结。下面,就我们在创作实践中对所遇到的一些问题的探索,和在学习、研究其它套色木刻作品时的体会,和大家交流一下有关套色木刻色彩问题的一些粗浅看法。 Guided by Chairman Mao’s revolutionary literary thought, since the Great Proletarian Cultural Revolution, many excellent works have emerged in the chromatic woodcut creation. Based on the inheritance of the fine heritage of Chinese printmaking art and the usefulness of the foreign printmaking art, many unprecedented printmaking techniques are constantly emerging and accumulate many valuable experiences to be continuously researched and summarized. In the following, we will discuss some of the problems we encountered in the practice of creation, as well as our experience in studying and studying other color-matched woodcuts. Let’s share some superficial views on the color of woodcuts.