在景德镇市第三届陶瓷美术百花奖评展会上,一千多件(套)晶莹明亮、富丽典雅的陶瓷美术作品,展现在人们眼前.众多的作品,标志着广大陶瓷美术设计人员在继承传统、发展创新方面取得了又一新的进展.观毕展览,引起我对陶瓷装饰创新方面一点看法.陶瓷装饰历来在不断地创新、转变、陈旧、又创新,不断运动着向前发展的.创新,一直是陶瓷工艺美术界所关注的问题.虽然有一些争议,但总而言之,不外乎是内容与形式如何继承传统与创新的问题.因此,陶瓷美术装饰的创新,具有两种含义, In Jingdezhen City, the third session of the Ceramic Arts Hundred Flowers Awards show, more than a thousand pieces (sets) crystal bright, rich and elegant ceramic art work, demonstrated in people’s eyes.Many works, marking the majority of ceramic art designers in the inheritance of tradition , The development of innovation has made another new progress.View the exhibition, causing me to ceramic decoration innovation point of view.Ceramic decoration has always been in constant innovation, change, outdated, innovative, continuous movement forward. Has always been the concern of ceramic arts and crafts circles.Although there is some controversy, in a word, it is nothing more than the question of how content and form inherit tradition and innovation.Therefore, the innovation of ceramic art decoration has two meanings,