学界对黄虎威的研究始于上世纪60年代,主要包括钢琴、声乐、小提琴、长笛等作品研究和音乐理论著作研究。这些研究大多能够反映出作曲家的理论修养和创作水平,但尚缺乏系统性和深刻性。本文旨在于阐明既有之研究所取得的成果、疏漏之处和今后之研究方向,并试图对中国当代音乐家研究的思路和方法提出一些建议和思考。 Huang Huwei academic research began in the 1960s, including piano, vocal music, violin, flute and other works of research and music theory works. Most of these studies can reflect the composer’s theoretical cultivation and creative level, but still lack the systematic and profound. The purpose of this paper is to clarify the achievements, omissions and future research directions of the existing research, and to put forward some suggestions and thoughts on the ideas and methods of contemporary Chinese musicians.