徐悲鸿、蒋兆和先生提出了对中国画的改良措施,他们主张“守之”、“继之”、“改之”、“增之”、“融之”五法,使中国画完美起来。提倡“写实主义”和“惟妙惟肖”的素描是一切造型艺术的基础,他们在国画中融入西画之法,开一代先风,影响了全国,同时也在重庆孕育了其追随者马振声、周顺恺等人,以下试论徐、蒋绘画体系在重庆的本土性。徐悲鸿于1919年在蔡云培和傅增湘的帮 Xu Beihong and Jiang Zhaohe proposed the improvement measures for Chinese painting. They advocated five methods of “keeping”, “following”, “changing”, “increasing”, “melting” Make Chinese painting perfect. They advocated the “realism” and “vivid” sketches as the basis of all plastic arts. They incorporated the method of Western painting in Chinese painting and opened the door to a generation of pioneers that affected the whole country. Meanwhile, they also gave birth to their followers, , Zhou Shun Kai et al. The following discusses Xu, Jiang painting system in Chongqing native. Xu Beihong was helped by Cai Yunpei and Fu Zengxiang in 1919