明末清初之际,在徽州崛起一个以描绘黄山、白岳及新安山水为创作题材的画派,其成员主要为生活在徽州区域的画家群和当时寓居外地的徽籍画家,因其地缘关系、人生信念与画风都具有同一性质,时人称之为“新安画派”。新安画家善用枯淡幽冷的笔墨貌写家山,抒写自己心中的逸气,独创新格,在17世纪的中国画坛大放异彩。最早论及新安画家者,乃清代著名 On the occasion of the late Ming and early Qing dynasty, a school of painting based on Huangshan, Baiyue and Xinan landscapes emerged in Huizhou. Its members mainly consisted of painter groups living in Huizhou area and Hui painters living in the field at that time. Because of their geographical relationship , Life belief and style all have the same nature, when people call it “Xinan school”. Xin’an painters make good use of the dry and cold pen and ink appearance Mount Writers, to express their own inner feelings, unique, in the 17th century Chinese painting shine. The earliest commentators of the new painter, is the famous Qing Dynasty