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埃德加·爱伦·坡在其小说创作中注重将“侧目而视”当作其“秘密写作”的认知理据,主张用“暗示性的一瞥”去聚焦核心寓意层面,并使之与解码层面上的“视网膜外围聚焦”形成精巧的逻辑对位关联。基于此,本文围绕坡的小说文本中零散出现的三个关键命题——“真实比虚构更奇怪”、“暗示性的一瞥”及“游戏之外的事物”——进行创作层面上的探析,说明其功能得以实现的认知基础均关联着作为视觉诗学原则的“侧目而视”。
Edgar Allan Poe pays more attention to the cognition motivations of “looking side-by-side” as his “secret writing” in his novels, and advocates using “suggestive glances” to focus on the core moral Level, and make it and the decoding level “retinal periphery focus ” to form a sophisticated logical alignment. Based on this, the dissertation focuses on the scattered three key propositions in Poe’s novels: “real stranger than fictional ”, “suggestive glimpse ” and “other than game ” - The analysis on the creative level indicates that the cognitive basis for the realization of its functions is related to the “side-looking and visual” as the principle of visual poetics.