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中国当代文学体制的政治化与文学生产者的组织化使文学长期处于“一体化”的状态。在制度化的权力场阈下,文学史料的存在方式也被工具化了,史料的身份、价值、运用以及产生的过程,都在权力的刻意引导下归向政治。本文以1979年后胡风、丁玲、冯雪峰等作家的“平反”为例,从政治“平反”史料的甄别与作家身份的重新确认这一角度契入,析辨政治如何成为当代作家及其学科随影的宿命,由此延伸出中国当代文学学科在被长期政治异化、失去自我之后能否重建的问题。
The politicization of Chinese contemporary literary system and the organization of literary producers have made literature a long-term state of “integration”. Under the institutionalized threshold of power, the way of existence of literary historical materials has also been instrumentalized. The identity, value, application and process of historical materials are all turned to politics under the deliberate guidance of power. Taking “” “backtracking ” of writers like Hu Feng, Ding Ling and Feng Xue Feng after 1979 for example, this article concludes from the perspective of the discrimination of the historical materials of politics and “rehabilitating” and the re-confirmation of the writer’s identity, Writers and their disciplines with the fate of the film, thus extending the Chinese contemporary literature subject can be rebuilt after long-term political alienation, loss of self.