作为“反本质主义”背景下出版的文学理论教材,葛红兵的《文学概论通用教程》具有鲜明的个人性和探索性。本文从对教材编写体例和各章内容的详细分析指出葛著本过于求新求全,试图将所有新的文学现象和新的研究成果纳入到自己的教材体系中,创建一种全新的文学理论架构,但并没有好好进行自身理论体系的整合和消化,使得文学理论教材编写规范和个人理论风格的阐释之间产生了风格偏差。 As a literary theory textbook published under the background of “anti-essentialism,” Ge Hongbing’s “General Introduction to Literature Introduction” has distinct personalities and explorations. This article from the detailed analysis of the textbook compilation and the chapters content pointed out that Ge was too new for the whole, trying to incorporate all the new literary phenomena and new research results into his textbook system to create a brand new literary theory framework , But did not properly integrate and digest its own theoretical system, resulting in the style deviation between the compilation of literary theory textbooks and the interpretation of individual theoretical style.