和潘伟超谈艺术不累,既不夸张,也无玄虚,谈来谈去都在画面里:题材,材料,塑造等等,谈到作品的内涵,他只强调“精神立场”。这和20世纪八十年代毕业于浙江美院(今中国美院)他的许多同窗大腕很不一样。从九十年代中期开始我就与潘伟超共事,从画院到大学,看着他画大幅小幅的城市景观,又画普普通通的人和物,深知他的投入方向和关注点大有人所未到之处。他对题材的选择和处理,对绘画中各种关系的经营,对色彩和材料迹质的推敲,都力求尽善而止。他毫不含糊地坦承自己重视绘画的品质,鄙薄在浮泛“观念”掩护下的粗制滥造。他画的城市 Talk about Pan Wei’s art is not exaggerated, nor is it exaggerated, no talking or talking, all in the picture: theme, material, shape, etc., talking about the connotation of the work, he only emphasized “spiritual position ”. This is quite different from many of his classmates who graduated from the Zhejiang Academy of Fine Arts (now China Academy of Art) in the 1980s. From the mid-nineties onwards, I started working with Pan Wei-chao, from the art academy to the university, watching him draw a substantial small city landscape and drawing ordinary people and objects, knowing that his direction and concern Wherever you go. His selection and handling of the subject matter, the management of the various relations in the painting, the scrutiny of the color and the trace of the material, all are well done. He unequivocally admitted that he attached importance to the quality of painting and despised the shoddyness under the cover of “pan-idea”. He painted the city