有关艺术的性质及概念问题,艺术理论家们自20世纪60年代围绕杜尚的作品《泉》进行不断的探讨以来,一直没有定论。作为艺术的一种,架上绘画发展到今天,其性质、地位,以及评判标准也与以往大不相同。在当代语境下,我们又该如何重新审视架上绘画呢?以此话题为中心和开端,袁佐、马可鲁、马树青及倪军四位艺术家在中间美术馆内展开漫谈。该沙龙谈话活动由袁佐主持,关于架上绘画在当代语境下 There has been no conclusion as to the nature and concept of art and the constant discussion among the theorists of the art about Stephen’s work on Duchamp in the 1960s. As a kind of art, the development of shelf painting to today, its nature, status, and evaluation criteria are quite different from the past. In the contemporary context, how should we re-examine the painting on the shelf? With this topic as the center and beginning, four artists such as Yuan Zuo, Marko Mak, Ma Shuqing and Ni Jun started to talk in the middle art gallery. The Salon talk was presided over by Yuan Zuo, on the shelf painting in the contemporary context