美国诗在高度现代主义时期,争论是很激烈的,如威廉斯对艾略特的攻击,弗罗斯特对庞德、艾略特的不屑,庞德和艾略特对乔治朝诗风的革命性颠覆。到了二十世纪五十至七十年代,黑山派、垮掉派、自白派的革命,都以庞德-艾略特-新批评派写法为攻击、造反的对象。但随着六七十年代一些“写作间”的建立(从爱荷 American Poetry During the period of highly modernism, the debate was fierce. Such as Williams’ attack on Eliot, Frost’s disdain for Pound and Eliot, Pound’s and Eliot’s revolutionary style toward George W. Bush subversion. By the 1950s and 1970s, the Montenegrin faction, the Beat faction and the self-blame revolution all attacked and rebelled with Pound Elliot and the New Criticism. But with the establishment of some “writing rooms” in the 1960s and 1970s (from Iowa