论文部分内容阅读
本文以刘醒龙早期小说为研究对象,论述其文学观与创作实践的起源性问题,并尝试从刘醒龙与80年代文学主潮的关联与背离中,攫取他可为90年代以来文学争鸣提供的启示。从“大别山之谜”系列到1994年第一部长篇小说《威风凛凛》出版,刘醒龙的早期创作完成了三次突破:同样关照改革时代的现代化焦虑,以对“自然之根”的敬畏突破1980年代寻根思潮的文化乡愁;延续新时期人道主义思潮对“人”的反思,以人性恶为原点展开对历史与现实的认识与批判;最后,面对八九十年代转折的文学危机,又以对内在超越的坚持,完成了对现实主义文学伦理诉求的自觉。
This paper takes Liu Xinglong ’s early novels as the research object, expounds the origin of his literary view and creative practice, and tries to capture his revelation for the literary contention since the 90s through the connection and departure between Liu Xunlong and the main tide of literature in the 1980s. From “The Mysteries of the Dabie Mountains” series to the publication of the first novel “Majestic” in 1994, Liu Xinglong’s early works have accomplished three breakthroughs: the same has taken the modernized anxiety of the reform era into consideration in order to “make the root of nature” Awe, fear of breaking through the cultural nostalgia of the roots-seeking ideology of the 1980s; continue the introspection of “human ” by the humanitarian trend of thought in the new period, start the cognition and critique of history and reality with the evil of human nature as the starting point; finally, in the face of turning point in the 1980s and 1990s Literary crisis, but also insisted on the inherent transcendence, completed the ethical appeal of realism literature.