论文部分内容阅读
追溯“技”与“道”之论辩,先秦即有。《庄子·养生主》曰:“庖丁为文惠君解牛,手之所触,肩之所倚,足之所履,膝之所踦,砉然向然,奏刀騞然,莫不中音。”“庖丁释刀对曰:‘臣之所好者道也,进乎技矣。’”《易经》云:“形而上者为之道,形而下者为之器。”夫道乃学识、审美、修养等字外之功也,器乃技法也。论中日书法之“技”与“道”无外乎斯理耳。一、追本溯源,众擎文化高标。研习籀篆,定要熟悉与掌握汉字背后博大精深之文
Trace back to the “technology” and “Road” argument, pre-Qin that. “Zhuangzi health advocates” said: “Ding Bing Wen Huijun Xieniu, the hand of the touch, the shoulder of the lean, enough to play, the knee of the 踦, 砉然 向然, play knife 騞 然, Mo Alto ”“ ”Yi Jing“ cloud: ”metaphysics for the way, the metaphor for the device. “ Wife Road is knowledge, aesthetic, self-cultivation and other words also, the device is a technique. On ”calligraphy“ and ”Tao" of calligraphy in both China and Japan are nothing less than Stalin. First, to trace the source, the engine of high standards of culture. Study 籀 seal, we must be familiar with and master the profound profound meaning behind the text