新秧歌剧作为延安文艺的主要形式一直以来都受到研究者的关注和重视,本文从受众角度出发,从时间、空间两个维度,论述此时的文艺工作者是如何通过建立和改写秧歌剧中的仪式感、狂欢体验、符号转换三个层面实现与受众成功沟通、从而建立“国”之概念和意识的,以此透视此时受众的接受心理和模式。 As the main form of Yan’an literature and art, new yang opera has always been paid attention and attention by researchers. From the perspective of audience, this paper discusses how literary and art workers at this time, through the establishment and rewriting of Yangko dramas from two dimensions of time and space The sense of ritual, the experience of carnival and the symbolic transformation of the audience to achieve the successful communication with the audience to establish the concept of “nation” and awareness of the audience to accept the acceptance of psychology and patterns.