在如今的当代艺术中,符号化雕塑越来越多,这一切实际上就是只注重艺术市场效益而不做自省的结果。符号在此已经成为了一种所谓风格和个人言说方式的占领游戏。大家看似努力地互相区别,实质却是在互相抄袭。当看到所有当代艺术都是在换不同的词语去拼凑同一类话语时,我们完全有理由去怀疑这一切是否都还是作者的主观流淌,倘若不是如此,为何会在同一时期出现完全相似的模式,甚至连作品风格都完全有不可辩解的联系,就连作品的材料、上色和呈现都是那么相似。直接呈现在观众面前的,除了本应属于艺术家的热情和胆识,就是这些可以随意归类的符号了。艺术进行到此成为了刻意的迎合和互相抄袭,这与当代艺术始终需要新的方法论的原则是背道而驰的。我们得到的是一样的情感,听到的是一样的声音,看到的是一样的艺术。正视问题,我们更需要明辨是非,拒绝让艺术品位向着媚俗化的方向发展,而不是急功近利盲目走上符号占有的道路。 In today’s contemporary art, more and more symbolic sculptures are the result of focusing solely on the benefits of the art market without introspection. Symbol here has become a so-called style and personal speaking occupation game. Everyone seems to work hard to distinguish each other, in essence, are copying each other. When we see that all contemporary art is changing different words to put together the same kind of discourse, we have every reason to doubt whether all this is still the subjective flow of the author. If not, why exactly the same pattern emerges in the same period , Even the style of work is completely inextricably linked, and even the material, color and presentation of the work are so similar. Directly before the audience, in addition to the enthusiasm and courage that should have belonged to the artist, these are the symbols that can be freely classified. Art has thus far been deliberately catered for and copied from one another, which runs counter to the principle that contemporary art always needs new methodologies. We get the same emotions, the same sounds we hear and the same art we see. Faced with the issue, we need to distinguish between right and wrong, and refuse to let the art taste develop in the direction of kulazism rather than blindly embark on the path of symbolic possession by quick success.