画家出身的韩国导演金基德擅长使用画面叙事,在电影《空房间》里,通过男女主人公的沉默,对人类使用语言和被语言支配的悖反困境进行了思索和抗争,同时,还利用片中主人公的游牧生活方式,对僵硬的制度化空间进行了消解。 South Korean director Kim Ki-dok, who came from an artist, is good at using pictorial narratives to think and fight against humanity’s use of language and the dictatorial paradox of dilemma in the movie “Empty Room” through the silence of the hero and heroine. At the same time, Of the nomadic lifestyle, the stiff system of space has been digested.