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文明的速度以几何方式递长。在资讯日新月异与市场疯狂扩张的阴影下,艺术想像力与创造性犹如潺潺浅流,悄无声息地注入更幽深荒僻更个人化的所在。无怪乎米兰昆德拉在其《小说的艺术》中惊呼:从塞万提斯到巴尔扎克,而至福楼拜、卡夫卡,人的世界越来越小;无怪乎人们摒弃了接近落日的神殿,步入“单身贵族小户型”;无怪乎书本变成了一张小磁盘、手机越来越薄、栈道烽火万金家书全成了不知出处犹如天女花落的E-mail——商品经济挥舞着大棒,文化一经由它驱使,就不得不放低架子、摆出方便快捷平易近人的姿态、四处露出讨好人的笑容。
The speed of civilization is lengthened in a geometric manner. In the shadow of the ever-changing information and frantic expansion of the market, artistic imagination and creativity are like a superficial stream, quietly infusing deeper and more personal and unique places. It’s no wonder that Milan Kundera exclaimed in his “The Art of Fiction”: from Cervantes to Balzac, and to Flaubert and Kafka, the human world is getting smaller and smaller; no wonder people have abandoned the approach. The Temple of the Sun Settled into the “Single Aristocrat Small House”; no wonder that the book has become a small disk, the phone is getting thinner, and the boardwalk is full of fire. The gold book has become the e-mail of the Idol. Commodity economy is a big stick. Once culture drives it, it has to lower the shelf, make it easy and accessible, and show off people’s smiles.