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从当代艺术的整个发展态势来看,中国画在当代视觉文化多元的今天遇到了严峻的挑战,中国画的每一步探索都异常艰难。材料的翻新和观念的发扬无不经受着本土文化的挑战和西方现代语境的冲击,带着西方化烙印色彩的新名词扑面而来,转型期的人心浮躁和急功近利无形中把中国画变为商品,弄得不伦不类,许多对中国画发展不利因素的制约使其有边缘化的倾向。只有少数画家在主张必须往回找,找回中国画纯正的笔墨味道、完备森严的章法体系,堂堂正正的崇高气象、撼动人心的文化品位和光辉远大的民族精神,这是在把握住时代脉搏后的冷静思考,也给每一位画家带来了无尽的启示。贾广健就是这少数画家中注重自身语言的锤炼,静静地干着自己的事业,默默地吸吮传统精髓与延续中国传统文脉的一位卓有建树的画家。
From the perspective of the development of contemporary art, Chinese paintings have encountered severe challenges in today’s diverse visual and cultural life. Each step of exploring Chinese paintings is extremely difficult. The renovation of materials and the development of concepts are all under the challenge of local culture and the impact of Western modern context. With the new nouns of westernized brand-name, the impetuous and instant success of the transitional period has transformed Chinese painting into commodities, Lost and found, many constraints on the development of Chinese painting unfavorable factors make it a marginalized tendency. Only a few artists advocate the need to look back and find the pure Chinese ink painting taste, complete and strict system of law, upright and lofty atmosphere, shaking the cultural qualities and glorious national spirit, which is grasping the pulse of the times Calm thinking, but also to each artist has brought endless inspiration. Jia Guangjian is one of the few painters who paid attention to his own language, quietly engaged in his own business, silently sucking the essence of tradition and the accomplished painter who continues the traditional Chinese culture.