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转眼间,敦煌学专家、现任中国敦煌研究院院长的段文杰,已在他崎岖不平的人生之路上走过了八十春秋:“中国敦煌学研究五十年过去了,以前所谓‘敦煌在中国,研究在国外’的局面经过几代人的努力已经不复存在,现在应该说是‘敦煌在中国,研究在世界’。”回首往事,老人无限感慨。 一瞥竟结终身缘 “我的志愿是学人物画,当时我认为只有人物画才能直接表现现实世界。”段先生的思绪回到了五十多年前的学生时代。 那时在重庆国立艺专学习中国画的他意气风发,喜爱人物画,但并不欣赏弱不经风的工笔仕女画,始终在寻找人物画创作的新路子。
In an instant, Duan Wenjie, an expert on Dunhuang and a dean of the Dunhuang Research Institute in China, has gone through eighty years of spring on his rugged life: “Fifty years have elapsed since the study of Dunhuang Studies in China. Formerly known as’ Dunhuang in China , The situation of studying in foreign countries has ceased to exist after several generations of efforts and now it should be said that Dunhuang is in China and the study is in the world. ”Looking back, the old man has infinite emotion. Glimpse of the end of a lifetime “My volunteer is to learn figure painting, when I think only figure painting can be a direct representation of the real world.” Mr. Duan’s thoughts back to more than 50 years ago, the student age. At that time, he was very energetic and loved portrayal of Chinese painting at Chongqing National Art College. However, he did not appreciate the simple style of ladylike painting. He was always looking for new ways of figure painting creation.