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20世纪 5 0年代法国崛起的“新小说” ,以反传统为旗帜。它对传统的反叛和否定主要体现在 :反对传统小说编织和虚构故事 ,以故事性吸引读者 ;否定传统小说以人物为中心 ,把对“物”的描写作为创作的主要任务 ;反对文学承担社会职责 ,推崇形式技巧。新小说的主要创作特征是 :注重对物的描绘 ;独特的“内心描写” ;时空交错 ;绘画法 ;迷宫式结构 ;追求文字的结构变化 ,甚至以文字游戏吸引读者。
The rise of France’s “new novel” in the 1950s took the banner of anti-tradition. Its traditional rebellion and denial are mainly reflected in the following: opposed to weaving and fictional stories in traditional novels, in order to attract readers with stories; to negating traditional novels taking characters as the center, taking the description of “things” as the main task of creation; Duty, respected formal skills. The main creative features of the novel are: focusing on the description of things; unique “inner description”; time and space interlacing; painting method; labyrinthine structure; pursuing the structural changes of writing, and even attracting readers with word games.