清末民国时期,磁州窑引入了氧化钴(洋青)材料,以王凌云为代表的绘瓷艺人,在白色化妆土的瓷胎上运用深浅不同的青色绘画。由于氧化钴发色稳定,成本低廉,色调文雅,很快被制瓷业所接受,从而取代了原来的白地黑花装饰,北方青花瓷中的磁州窑(彭城)青花应运而生,并且创造了令人瞩目的瓷绘艺术成果。王凌云在花鸟、山水、动物、人物画等方面的修养之高,绘画艺术之精湛,均达到了当时磁州窑其他艺人难以超越的高度。清末民国时期,磁州窑主要烧造区的彭城引入了氧化钴(洋青)材料,艺人的绘瓷题材、技艺随之改变。青花绘瓷是继宋金元白底黑花以后,磁 During the late Qing Dynasty and the Republic of China, Cizhou kiln introduced cobalt oxide (Yang Qing) material to Wang Lingyun as the representative porcelain entertainer in the white clay on the use of different depths of cyan painting. Due to the stable color of cobalt oxide, low cost, elegant tone, and soon accepted by the porcelain industry, which replaced the original white black flower decoration, North Blue and White porcelain in Cizhou kiln (Pengcheng) blue and white came into being, and created a People are attracted by the art of porcelain painted. Wang Lingyun in flowers and birds, landscapes, animals, portraits and other aspects of the cultivation of high, superb art of painting, have reached the Cizhou kiln other artists is difficult to go beyond the height. During the late Qing Dynasty and the Republican Period, Pengcheng, the main firing area of ​​Cizhou kiln, introduced cobalt oxide (Yang Qing) material and artist’s porcelain theme. The skill changed accordingly. Blue and white porcelain is the following Song Jinyuan black flower after the white, magnetic