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元代与明代是中国戏曲盛产的时代,其中尤以描写青年男女冲破礼教束缚,大胆追求爱情的题材最为突出,其中《西厢记》与《牡丹亭》是极具代表性和里程碑意义的两部作品,作品中塑造的女性形象在当时引起巨大的共鸣,她们的果敢甚至千百年来为人们称赞。我们将通过对比、整合的方式来阐述在不同的两个时代里这两种女性形象的异同,研究形成她们那般性格的内在原因和社会原因,从典型作品中多角度把握典型性格,从而还原一个更为立体的明、清时期妇女形象。
The Yuan Dynasty and the Ming Dynasty were the epochs of Chinese drama, especially the portrayal of young men and women breaking through the bondage of etiquette and marriage, and the theme of bold pursuit of love was the most prominent. Among them, The West Chamber and Peony Pavilion were two representative and landmark works The female images created in the works aroused great resonance at that time, and their courage even praised people for thousands of years. We will explain the similarities and differences between the two kinds of women in different periods by means of contrast and integration. We will study the intrinsic and social causes of forming their own personalities, and grasp the typical characters from the perspective of typical works so as to restore A more three-dimensional Ming and Qing women’s image.