诗的可读不可读的问题,并不是从今天开始的;历代以来,就存在可读的诗与不可读的诗。以此而观九叶诗人的诗作,他们大部分的诗作都还是可读的,包括被认为是当代中国朦胧诗歌起始之作的杜运燮抒情诗《秋》,以及穆旦、袁可嘉与郑敏等人具有明显现代倾向的诗作。有的诗具有深厚的哲学底蕴,有的诗语言比较艰深,有的诗结构比较零碎混乱,但它们仍然是可读的。诗的可读不可读,主要在于其内容与思想,不在于其形式与体制。如果没有实实在在的内容与独到深刻的思想,语言形式上再讲究经营,再花样翻新,也许照样是不可读的。所以,一首诗是不是真正的好诗,关键在于它是不是具有可读性;而一首诗是不是具有可读性,关键在于其有没有真实 The problem of the unreadable reading of the poem does not begin today; there have been both readable and unreadable poems since ancient times. From this perspective, most of the poems of Jiuye poets are still readable, including Du Yunxie's lyric “Autumn”, which is considered to be the beginning of contemporary Chinese misty poetry, as well as Mu Dan, Yuan Kejia, Zheng Min, etc. People have obvious modern tendency poems. Some poems have deep philosophical foundation, some poems are rather arduous, and some poets are fragmented and fragmented, but they are still readable. The reading of the poem is unreadable, mainly due to its content and thought, not its form and system. If there is no real content and a unique deep thought, the language form and then pay attention to management, and then tricks, may still be unreadable. Therefore, a poem is not really a good poem, the key is that it is not readable; and a poem is not readable, the key is whether there is any truth