十九世纪美学中的“性格”范畴 期望十九世纪美学的基本概念清晰、轮廓分明而且界定明确,这似乎是哲学经验缺乏的标志。将难以把握的东西封锁在定义的铁壳里,这种努力如果成功的话,会造成恶果,因为围绕着审美范畴集合了无数在历史现实中令人不解的看法和观点,审美范畴在系统上会萎缩为不雅的陈词滥调。一个象“性格”这样的范畴——如果要使其意义不发生错误或不萎缩——应该不是直接采用确定和规定术语来领会,而必须采用描写它在变换的历史联 Expectations of the category of “personality” in the nineteenth-century aesthetics Clear, well-defined and well-defined aesthetic concepts of the nineteenth century seem to be the hallmarks of a lack of philosophical experience. The hard-to-grasp is blocked in a defined iron shell. Such efforts, if successful, can be detrimental because of the myriad of mysterious views and points of view in the historical realms surrounding the aesthetic category, Will shrink to indecent cliché. A category such as “personality” - if it does not make a mistake in its meaning or does not shrink - should not be understood directly by defining and defining terms, but must be described in terms of its history