读著名舞蹈家赵青撰写的《我和爹爹赵丹》一书,似咂品了一杯不酽却有着一股令人回味无穷的糯米香酒,所有想象的空间里都弥漫着那浅浅的、淡淡的醇香。毋庸讳言,《我和爹爹赵丹》实为时下传记类图书中的不可多得之作。在当代中国的电影史上,赵丹是最重最浓的一笔。从默片到有声片,从黑白片到彩色片,赵丹的艺术生命的始终,事实上就是20世纪前半叶中国电影发展的历史。从30年代拍第一部默片《琵琶春怨》,到1964年主演最后一部影片《烈火中永生》,乃至他生命的最后时刻,赵丹浮浮沉沉,几经牢狱之苦,又几次获得自由,虽备尝艰辛,也从未动摇过他献身电影艺术的决心。由于他在电影艺术上的造诣和 Read the famous dancer Zhao Qing’s “I and daddy Zhao Dan,” a book, like a cup of product but has a memorable glutinous rice wine, all imaginary space filled with the superficial , A touch of mellow. Needless to say, “I and daddy Zhao Dan” is indeed a rare biographical book nowadays. In the movie history of contemporary China, Zhao Dan is the most concentrated and strongest. From silent film to audio film, from black and white film to color film, Zhao Dan’s artistic life has always been the history of Chinese film development in the first half of the 20th century. From the first silent film “Pipa Resentment” shot in the 1930s to the final film “Eternal Life in the Fire” in 1964, and even the last moment of his life, Zhao Dan floated up and went to prison several times and got free several times. Although difficult to prepare, never shake his determination to devote himself to the art of cinema. Because of his artistic accomplishments in cinema