在新世纪来临的今天，我们听到最时髦的语句恐怕就是“网络”’和“与国际接轨” 等新鲜名词。作为国粹艺术的中国画当然也不甘落后，“接轨”意识也属空前，这似乎并未应验一位批评家曾所预言的“中国画已到穷途末日”的说法，而是很耀曾眼地跨人了新世纪的门槛．作为中国画的 Today, when the new century is approaching, the most fashionable phrases we hear are probably those new terms such as “network” and “linking with the world.” Of course, the Chinese painting as a quintessence of Chinese arts is not far behind. Consciousness of “linking with one another” is unprecedented. This does not seem to have come to terms with what one critics had predicted that “Chinese painting has come to a dead end” The threshold of the new century. As a Chinese painting